Extraordinarily moving to find this piece
one of the last poems written by an African poet, Kofi Awoonors, killed in the Westgate Centre in Nairobi.
Who knows when death will come for us?
Sometimes we have an inkling.
Sometimes we just write of what is sure to come
Thursday, 15 August 2013
Read more: http://business.time.com/2013/08/14/a-good-death-how-boomers-will-change-the-world-a-final-time/#ixzz2c1Q9BBtd
The emerging template for a good death isn’t all about choosing your moment, though that is the biggest part of what is changing. And much of what makes a good death today has long been the case. Here are the key aspects of a good death:
- Control of the process You want to make decisions around all aspects of your illness and be certain that your wishes will be followed even if you are unable to see to it yourself. “People want more control in the months and days leading up to dying,” says Megory Anderson, founder and director of Sacred Dying Foundation. “They have clear ideas of where they want to die, who is with them, and what medical intervention is used.”
- Open Communication You can’t be in control if you aren’t getting an honest and coordinated discussion among doctors, patient, and family. This should include frank talk about chances of recovery and burdens of treatment on the patient and family.
- Broad support You want to know the medical staff will stay to the end; that your family is on board, finances are not the deciding factor, and that professionals will help you prepare emotionally. In The Good Death: The New American Search to Reshape the End of Life, author Marilyn Webb writes: “There is recognition of the need for family strength, an understanding that the good or bad legacy this death creates will endure in family lore.”
- Spirituality Many look to their religious traditions during the dying process. But spirituality encompasses much more than faith and traditions. It’s about creating a peaceful and comforting environment that may incorporate prayer, meditation, music, and candles. This is highly personalized and may provide the kind of signature departure that many boomers demand.
- Minimal suffering Today’s powerful medications make it possible to relieve physical pain while remaining lucid longer. But mental suffering can be acute too, and one way to relieve it is by placing limitations on treatments early in the process and clearly delineating what measures are to be taken to keep you alive. “More end-of-life-care clinicians are coming to the understanding that aggressive treatment doesn’t universally deliver better quality or quantity of life, and isn’t always in the best interest or reflect the wishes of patients,” says Colleen Wadden, director of external communication for Providence Health & Services.
- Meaning Boomers have always sought a better way. They want to feel their dying experience is just right for them. This is what drives the hospice care movement, where terminally ill people get the care they need to live long enough and with minimal pain to go out on their own terms. “Death is seldom good, desired or welcome,” says Dr. John Shuster, chief medical officer at Alive Hospice in Nashville, Tenn. “The task is to help patients and families bear what may seem unbearable, to work toward relief of as much physical, emotional, and spiritual distress as possible, and to enable patients to live well during this precious and important time with as much meaning and dignity as possible.”
- Closure Unsettled affairs make death more difficult. You want to use your final days to make sure loved ones are cared for as best you can, mend fences, and leave memories. “Baby boomers build and preserve meaning through narrative, and the telling and sharing of important stories,” says Shuster. “This is healing for all ages. Celebrating and focusing on important relationships adds meaning to life, especially in the setting of a life-limiting illness. An advanced illness can be the stimulus to heal important broken relationships.”
Read more: http://business.time.com/2013/08/14/a-good-death-how-boomers-will-change-the-world-a-final-time/#ixzz2c1Q9BBtd
Sunday, 14 April 2013
Afterlife(i.m. Elizabeth McFarland)
It must be easier if one believes
The soul's immortal, and survives someplace,
Say in Heaven, where it keeps its face
And to such singularity each cleaves,
Or, as in childhood, when I used to think
That souls were points of light in the Milky Way,
Casting their sight on us, as though to say
Between two worlds there's but a casual link,
And whenever someone died a brand new star
Would suddenly appear in the distant sky;
There'd be no dissolution, then, to die,
Existing ever, a grain of light, afar—
But you and I, free of such superstition,
Lived and loved each other with each breath,
And now I know the love that transcends death,
Keeping you in memory's inner vision,
But where is personhood when one is gone?
As body is reclaimed by earth, or flame,
Does Death's sharp saber-tooth exempt a name
So those who loved you feel you linger on?
You, when young, dreamed you'd become a tree,
Where words gathered among your blossoming
Branches, bickered, birdlike. You made them sing,
As now, in verse alive with bel esprit—
Don't fade into your photos ... for you lift
My spirits, those of friends, and of all who feel
The joy, the wit, the passion your lines reveal,
So like your love, an imperishable gift.
I really like this one
Simple and thought provoking as I see pictures of Gill change on my screen
Thursday, 22 November 2012
The National Council for Palliative Care, the lead charity for Dying Matters, has released research today which reveals just 28 of the 83 newly created Health and Wellbeing Boards with public strategies have considered the needs of dying pe...
Health and Wellbeing Boards "ignoring needs of dying" | Dying Matters
The report, 'What about end of life care: Mapping England’s Health and Wellbeing Boards’ vision for dying people', finds that
The figures in the telegraph come out a bit different but it is the same story
Wednesday, 7 November 2012
It is sometimes said that the festival for the end of the Celtic year ran for 12 or thirteen days and included much feasting after slaughtering animals which could not be kept through the winter.
With KTB http://www.kickingthebucket.co.uk/ starting in mid October and DOTD, http://www3.hants.gov.uk/msc/msc.html being on Nov 3 the whole thing has been going on for over three weeks.
I only managed to get to a handful of KTB events, and I have still not written them all up.
Cornwall. She died last Monday. Fare well, Mary. You helped me rebuild my life and reach a peak or two.
Denise, her friend and carer will have been collecting the ashes.Mary did not want a funeral. I was able to add Mary's name to the book of thoughts and feelings on the altar at the Minstead study centre, where I travelled last Saturday for the Day of the Dead celebrations.
What an event it was; like rolling all the events in the kicking the bucket festival into a single day.
I led an hour's session on my book about grief, https://sites.google.com/site/alifeworthcelebrating/ and the writing of poetry as a creative response to the grieving process. Eight people came to the session, which was quite pleasing, but only three wanted to stay to go on a guided meditation and to write something at the end of it. Then we shared the words, symbols and images that had come to us in the course of the experience.
I gave people my card and suggested they might like to send me their writings on line at some point after the day, if they wished to share them.
This was a curious installation that greeted me as I walked up the the round house to hear a brilliant story about an old man and his seal woman family in Scotland. I was asked what made me most alive. I thought of my loved ones, living and dead. It was written on one of these red ribbons and pinned on the black dress of death. Then I went on to the round house.
Taprisha ,http://taprisha.blogspot.co.uk/p/taprishas-storytelling.htmla , on the right read the stories in the round house. I loved the rhyming structure of the story-most unusual and so well read.
Coming away from the round house I passed again the figure of death with her red mistress. http://janijellybean.blogspot.co.uk/p/my-story.html
Here someone meditates on what makes her most alive.
http://www.positivelymington.com/index.html Jude and her mother of the Lymington group.
Everyone enjoyed the puppet show under the green man.
|The altar where I placed the remembrance for Mary and my Gilli|
|Towards the end of the day I made a fire fairy, something to take to the bonfire for a ceremonial goodbye to the dead.|
Monday, 29 October 2012
28th Oct - 2.45-4.45pm | Design your own Dead Good Funeral – workshop.
Friends Meeting House, 43 St. Giles, OX1 3LW | Map No 8
After attending some truly awful funerals John and Sue, founders of Welfare State International, decided to try and improve things. Using their skills as artist, writers and musicians,They started Dead Good Guides which creates new traditions of secular rites of passage and offers training to independent celebrants. www.deadgoodguides.com
This workshop will discuss case studies, dispel common myths, demonstrate the nuts and bolts of planning a funeral, inspire you and give you confidence in developing your own funeral wishes. You will come up with a framework for a personal ceremony you can take home and discuss with your family and friends.
Having looked them up on the web and been immensely impressed by their history of creating arts in the community and bringing funerals to life for many people, I had high expectations of this workshop and was not disappointed.
I wrote down the suggested balloons for the different aspects of making my funeral plan and added the numerous dimensions, but I hardly made one clear decision.
With Holly's mother having had a friend as executor and six months to plan hers, she had it all down to the fine detail,
.She got her white Rolls Royce and her coffin in blue velvet with silver stars. She had the catholic funeral service followed by a trip to the crematorium for close family and friends.
But I think I need to talk it all over with Gabrielle and the children before I do anything. After all, they might ignore everything I have in mind unless I make some lawyer the executor and get him to disinherit them if they misbehave. I am not going to do that.
Cousin Christine managed to give all her wealth to Mind despite the fact they never did anything to help her. There was even a clause in the will which allowed them not to spend it as she would have wished.
Given that I am very likely to die within twenty years I want to make plans now, so that my family are not left struggling with trauma and shock while trying to guess my desires, after my little red sports car crashes off the cliffs. I am always aware of how suddenly Gill dropped dead next to me.
Gill left no will. We were unsure about what she even wanted for her boys.
I don't want that for me.
There is another reason to do it now.
If I want to be able to help others through death and dying I had better at least have my own house in order.
There is an even better reason too, which leads right back into this workshop.
Death needs to be reclaimed for life and the living. It has been anaesthetized and commercialized to the point where everything is determined by money and Victorian tradition.
How many really dead funerals have we all been to?
Queen Victoria died 109 years ago. But the way we do funerals has become ossified in rituals that have not changed since the nineteenth century.
Yet we have Jung's archetypes and Campbell's Creative Mythology to draw from now in thinking about living our dying. Though many have lost faith in a transcendent God, they find solace in an immanent God or Goddess in the world of nature around us.
We have the vast resources of the internet to draw on in dreaming and planning.
What is more, in these cash strapped times we can do things so very much more cheaply if we take matters into our own hands. Who needs a hearse?
John and Sue took us through lots of examples of the work they have been involved with over the years in Cumbria.
When they first put out feelers to the world to explore how to make funerals more creative people flooded to them from all over the world.
One of the main themes was the way so many people have moved away from the old religions without losing a sense of spirituality.
The funerals people create these days tend to be filled with natural symbols. God or Gods and Goddesses are discovered and worshiped by people in images taken from the world of nature around us.
This workshop followed on directly from the Pitt Rivers Fish burial. Someone even asked about advertizing on coffins. The Pitt Rivers had chosen a coffin covered in advertizing ads for their shop keeper funeral. Why they had chosen this empty commercial idea is explicable in terms of their exhibition on trade and trading places, but it was so lacking in the wonderful creative art work that this same coffin makers in Ghana was producing and still produces.
Here in this workshop we saw people collectively gathering to make felt shrouds or add pictures on to a white shroud. So much art work can be made digitally today.
We explored legal issues.
There are few legal requirements.
It is possible for family and friends to do everything themselves.
It was touching to hear of one group finding seven shovels for mourners to bury the dead person. It took just eleven minutes to fill in the soil over the coffin.
All of this is so much easier to do if you know how long you have to live. Many people at least know how many months they still have if they are terminally ill.
I am just not sure I shall have the energy left then though. I may become depressed.
I plan to offer my help to people who are dying to help them through the process as coach.
I bought their dead good guide to help set the ball rolling.
The theme of the funeral symbolizing what the life has been about seems a profound idea to me.
But what symbols to choose for me? Is it too early to say what my life has been about, when there might be so much left to come?
Friday, 26 October 2012
25th Oct - 7.00 – 8.30pm | Life and Death – discussion.
Blackwell's Bookshop, 50 Broad Street, OX1 3BQ | Map No 7
Three thinkers and writers discussing the question, 'What is a good life and how should we live it?' and how does the knowledge of mortality affect the answers to this question? Nigel Warburton,philosopher and podcaster ( joined the Open University in 1994 and is best known for his introductory philosophy books - www.nigelwarburton.typepad.com), Roman Krznaric, a cultural thinker and founding member of The School of Life - www.romankrzaric.com, and Neel Burton, a psychiatrist, philosopher, writer, wine-lover, and perpetual student -follow him on twitter and facebook. An evening of thoughtful conversation to challenge and engage us all.
always remember the debates between Profs Mackay and Flew on philosophy at Keel University.
They were a class act, their cuts and thrusts honed from years of practice and a genuine wish to educate rather than bore the student audience.
You could not hope for that from a scratch event. But the standard I have had set is high and this did not come near a good level of debate.
However, Roman Krznaric is a real discovery. He is carrying on and may be improving on what we were attempting at the Oxford Centre for Human Relations twenty years ago. I warmly recommend you to explore his website's connection with Zeldin's Oxford Muse http://www.oxfordmuse.com/?q=what-is-the-muse
I am intrigued by his idea that newspapers should have a death style section to go with their Lifestyle section.
I also like his idea that we should study the late medieval period and the early renaissance period to learn how to live creatively with death. I told him I would explore that with poetry at the Ashmolean.
But Roman has already come up with the idea of a completely different kind of museum, a museum of empathy